Archive for the ‘Yogyakarta’ Category

Merapi volcano

Friday, May 1st, 2009

Merapi is the youngest in a group of volcanoes in southern Java. It is situated at a subduction zone, where the Indo-Australian Plate is sliding beneath the Eurasian Plate. It is one of at least 129 active volcanoes in Indonesia, part of the Pacific Ring of Fire – a section of fault lines stretching from the Western Hemisphere through Japan and South East Asia.[2] Stratigraphic analysis reveals that eruptions in the Merapi area began about 400,000 years ago, and from then until about 10,000 years ago, eruptions were typically effusive, and the outflowing lava emitted was basaltic. Since then, eruptions have become more explosive, with viscous andesitic lavas often generating lava domes. Dome collapse has often generated pyroclastic flows, and larger explosions, which have resulted in eruption columns, have also generated pyroclastic flows through column collapse.

Typically, small eruptions occur every two to three years, and larger ones every 10-15 years or so. Notable eruptions, often causing many deaths, have occurred in 1006, 1786, 1822, 1872 (the most violent eruption in recent history), and 1930—when thirteen villages were destroyed and 1400 people killed by pyroclastic flows.

volcano-tourA very large eruption in 1006 is claimed to have covered all of central Java with ash. The volcanic devastation is claimed to have led to the collapse of the Hindu Kingdom of Mataram, however there is insufficient evidence from that era for this to be substantiated.

Merapi continues hold particular significance for the Javanese: it is one of four places where officials from the royal palaces of Yogyakarta and Solo make annual offerings to placate the ancient Javanese spirits.

Prambanan temple

Friday, May 1st, 2009

candi_prambanan

  1. It was built around 850 CE by either Rakai Pikatan, king of the second Mataram dynasty, or Balitung Maha Sambu, during the Sanjaya Dynasty. Not long after its construction, the temple was abandoned and began to deteriorate. Reconstruction of the compound began in 1918. The main building was completed in around 1953. Much of the original stonework has been stolen and reused at remote construction sites. A temple will only be rebuilt if at least 75% of the original stones are available, and therefore only the foundation walls of most of the smaller shrines are now visible and with no plans for their reconstruction.
  2. The temple was damaged during the earthquake in Java in 2006. Early photos suggest that although the complex appears to be structurally intact, damage is significant. Large pieces of debris, including carvings, were scattered over the ground. The temple has been closed to the public until damage can be fully assessed. The head of Yogyakarta Archaeological Conservation Agency stated that: “it will take months to identify the precise damage”. However, some weeks later in 2006 the site re-opened for visitors. The immediate surroundings of the Hindu temples remain off-limits for safety reasons.

Loro Jonggrang complex

The Prambanan temple complex consists of three zones. The outer zone is a large space marked by a rectangular wall (destroyed). The original function is unknown; possibilities are that it was a sacred park, or priests’ boarding school (ashram). The supporting buildings for the temple complex were made from organic material; as a consequence no remains occur.

The middle zone consisted of four rows of 224 individual small shrines. These concentric rows of temples were made in identical design. Each row towards the center is slightly elevated. These shrines are called “Candi Perwara” or complementary temples, the additional buildings of the main temple. Some believed it was offered to the king as a sign of submission. The Perwara are arranged in four rows around the central temples, some believed it has something to do with four castes, made according to the rank of the people allowed to enter them; the row nearest to the central compound was accessible to the priests only, the other three were reserved for the nobles, the knights, and the simple people respectively. While another believed that the four rows of Perwara has nothing to do with four castes, it just simply made as meditation place for priests and as worship place for devotees.



The central compound is the holiest among the three zones. Its the square elevated platform surrounded by square stone wall with stone gates on each four cardinal points. This holiest compound is assembled of eight main shrines or candi. The three main shrines, called Trimurti (”three forms”), are dedicated to the three gods: Brahma the Creator, Vishnu the Keeper, and Shiva the Destroyer. The other three shrine in front of three main temples is dedicated to vahana of each gods. Between these row of main temple, on north and south side stands two Candi Apit. Beside these 8 main temples, there’s also 8 smaller shrines; 4 Candi Kelir on four cardinal direction of the entrance, and 4 Candi Patok on four corner.

The Shiva shrine at the center contains five chambers, four small chamber in every cardinal direction and one bigger main chamber in central part of the temple. The east chamber connect to central chamber that houses a three meter high statue of Shiva Mahadeva. The statue of Shiva stands on Yoni pedestal that bears the carving of Naga serpents on north side of pedestal. The other three smaller chambers contain statues of Hindu Gods related to Shiva; his consort Durga, the rishi Agastya, and Ganesha, his son. Statue of Agastya occupy the south chamber, the west chamber houses the statue of Ganesha, while the north chamber contains the statue of Durga Mahisasuramardini depicting Durga as the slayer of Bull demon. The shrine of Durga is also called the temple of Lara Jonggrang (Javanese: slender virgin), after a Javanese legend of princess Lara Jonggrang.





The two other main shrines are that of Vishnu on the north side of Shiva shrine, and the one of Brahma on the south. Both temple facing east and each contain only one large chamber, each dedicated to respected gods; Brahma temple contains the statue of Brahma and Vishnu temple houses the statue of Vishnu.

In front of each main temple is a smaller temples on the east side, dedicated to the mounts (vahana)of the respective gods - the bull Nandi for Shiva, the gander Angsa for Brahma, and Vishnu’s Eagle Garuda. Garuda holds important role for Indonesia, which serves as the national symbol of Indonesia, also to the airline Garuda Indonesia.

The bas-reliefs along the balustrades on the gallery around Shiva and Brahma temple depict the Ramayana legend. They illustrate how Sita, the wife of Rama, is abducted by Ravana. The monkey king Hanuman brings his army to help Rama and rescue Sita. This story is also shown by the Ramayana Ballet, regularly performed at full moon at Trimurti open air theatre in west side of the illuminated Prambanan complex. On the balsutrades in Vishnu temple there is series of bas-relief depict the story of lord Krishna.

GRAND TOUR OF PRAMBANAN

Visit the Hindu temple at Sambisari, only recently discovered and already restored to something like its original state. Then, drive to Kalasan temple, stop off at the two - storey Sari temple. After visiting Prambanan temple, head for Plaosan temple. From Banyunibo temple continued to the palace of Ratu Boko with an offer of sunset, when the sky is clear. (5 hours)

www.borobudurpilgrimagetour.wordpress.com

Borobudur pilgrimage tour is a tour operator in Yogyakarta Indonesia who are giving you the service for combination tours ,accomodations and car hire either for vacation and also for special aims related with religious   purposes so that you could learn and know also act more and that it will come to your wish why you are visiting in tourist attractions.

Borobudur

Thursday, April 30th, 2009

Borobudur is a ninth-century Mahayana Buddhist monument in Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues. A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa.

The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path circumambulating the monument while ascending to the top through the three levels of Buddhist cosmology, namely K?madh?tu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). During the journey the monument guides the pilgrims through a system of stairways and corridors with 1,460 narrative relief panels on the wall and the balustrades.

Evidence suggests Borobudur was abandoned following the fourteenth century decline of Buddhist and Hindu kingdoms in Java, and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, the then British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is still used for pilgrimage; once a year Buddhists in Indonesia celebrate Vesak at the monument, and Borobudur is Indonesia’s single most visited tourist attraction

Borobudur contains approximately 2,670 individual bas reliefs (1,460 narrative and 1,212 decorative panels), which cover the façades and balustrades. The total relief surface is 2,500 square meters (26,909.8 sq ft) and they are distributed at the hidden foot (K?madh?tu) and the five square platforms (Rupadhatu).

The narrative panels, which tell the story of Sudhana and Manohara,are grouped into 11 series encircled the monument with the total length of 3,000 meters (9,843 ft). The hidden foot contains the first series with 160 narrative panels and the remaining 10 series are distributed throughout walls and balustrades in four galleries starting from the eastern entrance stairway to the left. Narrative panels on the wall read from right to left, while on the balustrade read from left to right. This conforms with pradaksina, the ritual of circumambulation performed by pilgrims who move in a clockwise direction while keeping the sanctuary to their right.

The hidden foot depicts the workings of karmic law. The walls of the first gallery have two superimposed series of reliefs; each consists of 120 panels. The upper part depicts the biography of the Buddha, while the lower part of the wall and also balustrades in the first and the second galleries tell the story of the Buddha’s former lives. The remaining panels are devoted to Sudhana’s further wandering about his search, terminated by his attainment of the Perfect Wisdom.

Yogyakarta

Thursday, April 30th, 2009

The area of the city of Yogyakarta is 32.5 km². While the city sprawls in all directions from the kraton, the core of the modern city is to the north, centering around the site of a few buildings with distinctive Dutch colonial-era architecture and the contemporary commercial district. Jalan Malioboro, with rows of sidewalk vendors and nearby market and malls, is the primary shopping street for tourists in the city, while Jalan Solo, further north, is a shopping district more frequented by locals. At the southern end of Malioboro, on the east side is the large local market of Beringharjo, not far from Fort Vredeburg a restored Dutch fort.

At Yogyakarta’s center is the kraton, or Sultan’s palace. Surrounding the kraton is a densely-populated residential neighborhood that occupies land that was formerly the Sultan’s sole domain. Evidence of this former use remains in the form of old walls and the ruined “Water Castle” (Tamansari), built in 1758 as a pleasure garden. No longer used by the sultan, the garden had been largely abandoned. For a time, it was used for housing by palace employees and descendants. Reconstruction efforts began in 2004, and an effort to renew the neighborhood around the kraton has begun. The site is a developing tourist attraction.

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This tour operator shows you the beauty of Java and its culture .We provide you the grand overland Java Bali or only a glance of Java based on your time arrangements,accomodations based on budget untill stars classes,car hires with any types of vehicles.